Marvel may rule the box office, but for years it’s been DC who has been television’s reigning champion. Who can forget the original Flash or Lois and Clark: The New Adventures of Superman Smallville ran for ten seasons on the WB and the CW. Arrow is in its second season, also airing on the CW, and still going strong. A few weeks ago, the network announced The Flash is getting a series on the CW. However, it’s DC’s two new series, Gotham and Constantine, which have sparked my interest.
At first, Gotham seemed to have a lot of potential. The shows original premise sounded promising— a cop procedural set in the corrupt and grimy world of Gotham City pre-Batman. It’s an interesting idea. How does a good cop, or cops, solve crime in a city corrupt from the top down? I may be thinking way out of the box here, but the whole series could have had a David Fincher feeling to it or a Killingvibe running thought out. It could have turned the stale police procedural on its head. One story could have spanned an entire season. However, this is not to the case.
Gotham is still being set in Gotham City before Bruce Wayne became Batman. It’s probably still going to be some sort of police procedural show. However, it’s the changes to the characters and to the whole mythos of Batman that have me scratching my head and asking, “Why?”
First, there is the problem with
basing the story around Jim Gordon as a rookie. In almost every incarnation of Batman, James Gordon has never been a rookie on the Gotham City Police Department. In Frank Miller’s Year One he was transferred from an unnamed department to the GCPD. In Christopher Nolan’s Dark Knight Trilogy, Gordon had been on the force long enough to build a reputation as somewhat of an outsider. He was the only, or one of a handful, of honest men in a corrupt system.
It would have been a moot point whether Gordon was a rookie had the series creators stayed with the original premise of the series. However, this being a series based on a comic book they hadto bring in the comic book villains. And there, as the Bard would say, lies the rub. No matter the redo, the reboot, the redux, or the many other retellings of Batman’s origin one thing has always stayed the same—Batman came first and then the villains. A rookie Gordon, with no Batman, means that Gordon confronts Batman’s various villains well before Bruce Wayne even considers becoming Batman.
It could be argued the Joker, the Riddler, and the Penguin existed in some corner of the criminal world long before Batman came onto the scene. It could be argued it was only when Batman appeared the villains decided to rear their ugly heads. However, this theory doesn’t hold water when we take into consideration the rookie Gordon will meet Batman’s enemies first. It really falls apart considering a ten year old has been cast to play Bruce Wayne. By the time Bruce Wayne would become Batman most of the villains would be ready for the old age home or bent on revenge against Gordon and not Batman. Gordon now becomes the locus for the villains’ ire and not Batman. It completely changes the Batman mythos.
Introducing Batman’s Rogues Gallery into the show before there is a Batman and while Gordon is a rookie leaves me guessing as to what the show’s creators are striving for in the series. It’s inevitable the villains will somehow interact with the young Wayne. It’s not a matter of if a young Wayne meets a Riddler or a Penguin, but when. This is how formula television works. If this were the case, wouldn’t an adult Bruce Wayne remember interacting with these criminals as a child?
Then there is Selina Kyle, aka Catwoman. Catwoman, a thieve in the comics and movies, runs into Batman after Batman has been on the scene for a while. At some point, writers even created a love connection between the two characters. However, Selina Kyle in Gotham is a tween. How a tween Kyle and a prepubescent Wayne meet is anyone’s guess. I don’t need to be a writer on the show to see how the two will inspire episodes of teen angst. Gotham is starting to sound more and more like a show that should be on, well, the CW. I’m not holding out hope that this one will be a winner.
The Hellblazer title and the John Constantine character, before DC decided to return the title to the DC Universe, were pretty tense, bloody, dark, and vulgar at times. John Constantine was a chain-smoking, beer swigging, Brit who managed to get into all sorts of arcane trouble. All of this would seem to be good fun, but those around him often paid the price for his supernatural shenanigans. Basically, lots of people die when Constantine showed up on the scene.
I haven’t read any comics in years (that’s an article for another time), but I am sure when the powers-that-be moved him into the appropriate for all ages DC Universe he was toned down quite a bit. Seriously, you can’t have a character be eviscerated by a demon and then have an advertisement for a kid friendly product. However, NBC has shown in Hannibal that it can get graphic. It’s not HBO graphic, but for a major network it’s cutting edge.
There hasn’t been too much more information coming from NBC about Constantine. We’ve been told some of the characters in the series, but not all of them. We know the series will be set in New York. We also know Matt Ryan, who has been cast as John Constantine, is from the United Kingdom. I’m hoping for something dark in tone like Hannibal and closer to Vertigo’s Hellblazer than a cleaned up comic book friendly Constantine. If the creators can find a middle ground between these two elements it may be a good show. However, I am keeping my fingers crossed Constantine doesn’t turn out to be NBC’s Supernatural.